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1036
Enquire within upon everything
·
Robert Kemp Philp
118
The
lady
should
follow
all
the
movements
of
her
partner,
falling
back
when
he
advances,
and
advancing
when
he
falls
back.
Bring
the
shoulders
a
little
forward
at
each
sliding
step,
for
they
should
always
follow
the
movement
of
the
leg
as
it
advances
or
retreats;
but
this
should
not
be
too
marked.
When
the
gentleman
is
about
to
waltz,
he
should
take
the
lady's
waist,
as
in
the
ordinary
waltz.
The
step
of
the
Redowa,
in
turning,
may
be
thus
described.
For
the
gentleman--jete
of
the
left
foot,
passing
before
the
lady.
Glissade
of
the
right
foot
behind
to
the
fourth
position
aside--the
left
foot
is
brought
to
the
third
position
behind--then
the
pas
de
basque
is
executed
by
the
right
foot,
bringing
it
forward,
and
you
recommence
with
the
left.
The
pas
de
basque
should
be
made
in
three
very
equal
beats,
as
in
the
Mazurka.
The
lady
performs
the
same
steps
as
the
gentleman,
beginning
by
the
pas
de
basque
with
the
right
foot.
To
waltz
à
deux
temps
to
the
measure
of
the
Redowa,
we
should
make
each
step
upon
each
beat
of
the
bar,
and
find
ourselves
at
every
two
bars,
the
gentleman
with
his
left
foot
forwards,
and
the
lady
with
her
right,
that
is
to
say,
we
should
make
one
whole
and
one
half
step
to
every
bar.
The
music
is
rather
slower
than
for
the
ordinary
waltz.
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