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Robert Kemp Philp8652507. Ornamental Leather Work. An excellent imitation of carved oak, suitable for frames, boxes, vases, and ornaments in endless variety, may be made of a description of leather called basil. The art consists in simply cutting out this material in imitation of natural objects, and in impressing upon it by simple tools, either with or without the aid of heat, such marks and characteristics as are necessary to the imitation. The rules given with regard to the imitation of leaves and flowers apply to ornamental leather work. Begin with a simple object, and proceed by degrees to those that are more complicated. Cut out an ivy or an oak leaf, and impress the veins upon it; then arrange these in groups, and affix them to frames, or otherwise. The tools required are ivory or steel points of various sizes, punches, and tin shapes, such as are used for confectionery. The points may be made out of the handles of old tooth-brushes. Before cutting out the leaves the leather should be well soaked in water, until it is quite pliable. When dry, it will retain the artistic shape. Leaves and stems are fastened together by means of liquid glue, and varnished with any of the drying varnishes, or with sealing-wax dissolved to a suitable consistency in spirits of wine. Wire, cork, gutta-percha, bits of stems of trees, &c., may severally be used to aid in the formation of groups of buds, flowers, seed-vessels, &c. 2508. Black Paper Patterns. Mix some lamp-black with sweet oil. With a piece of flannel cover sheets of writing-paper with the mixture; dab the paper dry with a bit of fine linen. When using, put the black side on another sheet of paper, and fasten the corners together with small pins. Lay on the back of the black paper the pattern to be drawn, and go over it with the point of a steel drawing pencil: the black will then leave the impression of the pattern on the undersheet, on which you may draw it with ink.

