Modern Magic: A Practical Treatise on the Art of Conjuring

Professor Hoffmann · 1876 · 750 pages

Modern Magic: A Practical Treatise on the Art of Conjuring

Professor Hoffmann360

THE FEATHERS FROM AN EMPTY HANDKERCHIEF.--This is a very simple illusion, but has nevertheless been a favourite with many noted prestidigitateurs. Its effect is as follows:--The performer comes forward with a large handkerchief, or small shawl, which he shakes about in all directions, to show that it is empty. Throwing it over the left hand, he with the other grasps it by the middle, and removing the hand over which it was thrown, lets it hang perpendicularly down. To all appearance it is still empty; but on being shaken it is seen to contain some solid object. With a twist of the wrist, the performer turns the handkerchief and its contents upwards. The handkerchief naturally falls down over the coat-sleeve, leaving exposed a handsome military plume. The performer grasps, with the left hand, the stem of this plume and the centre of the handkerchief, immediately drawing away the right arm from beneath it. Again the handkerchief on being waved about is seen to contain something, which being held upright, the handkerchief falls down as before, and a second plume is revealed. The operation is again and again repeated with a like result, till fifteen or twenty plumes have been produced; the handkerchief being at any moment handed for examination. The explanation lies in the fact that the plumes, which may be compressed into a very small compass, are laid beforehand along the arms of the performer, who puts on his coat over them. The stems of the plumes are nearest to the hands. When the handkerchief is thrown over either hand, the other hand catches hold through it of the stem of one of the feathers. This hand now remains stationary, while the other arm is drawn from under the handkerchief. The fact that the plumes come out of the sleeves is thus much less patent than if the opposite hand made the motion and drew the feather out. The plumes on being drawn out expand considerably; so much so, indeed, that it is hard to believe that the quantity with which the stage is strewn could possibly have been concealed about the person of the performer.

© 2026 erasure lab