My Studio Neighbors

"Haow them blackbirds doos love the smell o' thet caow's breath!" said an old dame to me once in my boyhood. "I don't blame um: I like it myself." Whether it was this same authority who was responsible for my own similar early impression I do not know, but I do recall the surprise at my ultimate discovery that it was alone the quest of insects that attracted the birds. Upon the first arrival of the bird in the spring an attentive ear might detect its discordant voice, or the chuckling note of his mischievous spouse and accomplice, in the great bird medley; but later her crafty instinct would seem to warn her that silence is more to her interest in the pursuit of her wily mission. In June, when so many an ecstatic love-song among the birds has modulated from accents of ardent love to those of glad fruition, when the sonnet to his "mistress's eyebrow" is shortly to give place to the lullaby, then, like the "worm i' the bud," the cow-bird begins her parasitical career. How many thousands are the bird homes which are blasted in her "annual visit?" Stealthily and silently she pries among the thickets, following up the trail of warbler, sparrow, or thrush like a sleuth-hound. Yonder a tiny yellow-bird with a jet-black cheek flits hither with a wisp of dry grass in her beak, and disappears in the branches of a small tree close to my studio door. Like the shadow of fate the cow-bird suddenly appears, and has doubtless soon ferreted out her cradle.