The Art of Perfumery, and Methods of Obtaining the Odors of Plants

SECTION III. Whenever a Still is named, or an article is said to be distilled or "drawn," it must be understood to be done so by steam apparatus, as this is the only mode which can be adopted for obtaining anything like a delicate odor; the old plan of having the fire immediately under the still, conveying an empyreumatic or burnt smell to the result, has become obsolete in every well-regulated perfumatory. The steam-still differs from the one described only in the lower part, or pan, which is made double, so as to allow steam from a boiler to circulate round the pan for the purpose of boiling the contents, instead of the direct fire. In macerating, the heat is applied in the same way, or by a contrivance like the common glue-pot, as made use of nowadays. This description of apparatus will be found very useful for experiments which we will suggest by-and-by. The perfumes for the handkerchief, as found in the shops of Paris and London, are either simple or compound; the former are called extracts, extraits, esprits, or essences, and the latter bouquets and nosegays, which are mixtures of the extracts so compounded in quantity that no one flower or odor can be discovered as predominating over another; and when made of the delicate-scented flowers carefully blended, they produce an exquisite sensation on the olfactory nerve, and are therefore much prized by all who can afford to purchase them. We shall first explain the mode for obtaining the simple extracts of flowers. This will be followed by the process for preparing ambergris, musk, and civet, substances, which, though of animal origin, are of the utmost importance as forming a large part in the most approved bouquets; and we shall conclude this department of the art with recipes for all the fashionable bouquets and nosegays, the value of which, we doubt not, will be estimated according to the labor bestowed upon their analysis.