The Book of the Damned

Any old chunk of metal that measures up to the standard of "true meteoritic material" is admitted by the museums. It may seem incredible that modern curators still have this delusion, but we suspect that the date on one's morning newspaper hasn't much to do with one's modernity all day long. In reading Fletcher's catalogue, for instance, we learn that some of the best-known meteorites were "found in draining a field"--"found in making a road"--"turned up by the plow" occurs a dozen times. Someone fishing in Lake Okeechobee, brought up an object in his fishing net. No meteorite had ever been seen to fall near it. The U.S. National Museum accepts it. If we have accepted only one of the data of "untrue meteoritic material"--one instance of "carbonaceous" matter--if it be too difficult to utter the word "coal"--we see that in this inclusion-exclusion, as in every other means of forming an opinion, false inclusion and false exclusion have been practiced by curators of museums. There is something of ultra-pathos--of cosmic sadness--in this universal search for a standard, and in belief that one has been revealed by either inspiration or analysis, then the dogged clinging to a poor sham of a thing long after its insufficiency has been shown--or renewed hope and search for the special that can be true, or for something local that could also be universal. It's as if "true meteoritic material" were a "rock of ages" to some scientific men. They cling. But clingers cannot hold out welcoming arms.