The Book of the Damned

Prof. Leslie then finds, as arbitrarily as one might find that some joker put the Brooklyn Bridge where it is, that "the piece was placed there as a practical joke, though not by its present owner; and is a modern fabrication, perhaps of the sixteenth century, possibly Hispano-American or French-American origin." It's sheer, brutal attempt to assimilate a thing that may or may not have fallen from the sky, with phenomena admitted by the anthropologic system: or with the early French or Spanish explorers of Illinois. Though it is ridiculous in a positive sense to give reasons, it is more acceptable to attempt reasons more nearly real than opposing reasons. Of course, in his favor, we note that Prof. Leslie qualifies his notions. But his disregards are that there is nothing either French or Spanish about this coin. A legend upon it is said to be "somewhere between Arabic and Phoenician, without being either." Prof. Winchell (Sparks from a Geologist's Hammer, p. 170) says of the crude designs upon this coin, which was in his possession--scrawls of an animal and of a warrior, or of a cat and a goldfish, whichever be convenient--that they had been neither stamped nor engraved, but "looked as if etched with an acid." That is a method unknown in numismatics of this earth. As to the crudity of design upon this coin, and something else--that, though the "warrior" may be, by due disregards, either a cat or a goldfish, we have to note that his headdress is typical of the American Indian--could be explained, of course, but for fear that we might be instantly translated to the Positive Absolute, which may not be absolutely desirable, we prefer to have some flaws or negativeness in our own expressions.