The Book of the Damned

In the Illustrated London News, the occurrence is given a great deal of space. In the issue of Feb. 24, 1855, a sketch is given of the prints. I call them cones in incomplete basins. Except that they're a little longish, they look like prints of hoofs of horses--or, rather, of colts. But they're in a single line. It is said that the marks from which the sketch was made were 8 inches apart, and that this spacing was regular and invariable "in every parish." Also other towns besides those named in the Times are mentioned. The writer, who had spent a winter in Canada, and was familiar with tracks in snow, says that he had never seen "a more clearly defined track." Also he brings out the point that was so persistently disregarded by Prof. Owen and the other correlators--that "no known animal walks in a line of single footsteps, not even man." With these wider inclusions, this writer concludes with us that the marks were not footprints. It may be that his following observation hits upon the crux of the whole occurrence: That whatever it may have been that had made the marks, it had removed, rather than pressed, the snow. According to his observations the snow looked "as if branded with a hot iron." Illustrated London News, March 3, 1855-214: Prof. Owen, to whom a friend had sent drawings of the prints, writes that there were claw-marks. He says that the "track" was made by "a" badger.