The Fairy-Land of Science

Arabella B. Buckley · 1879 · 210 pages

The Fairy-Land of Science

Arabella B. Buckley127

But why then do we not hear all sounds as music? Why are some mere noise, and others clear musical notes? This depends entirely upon whether the sound-waves come quickly and regularly, or by an irregular succession of shocks. For example, when a load of stones is being shot out of a cart, you hear only a long, continuous noise, because the stones fall irregularly, some quicker, some slower, here a number together, and there two or three stragglers by themselves; each of these different shocks comes to your ear and makes a confused, noisy sound. But if you run a stick very quickly along a paling, you will hear a sound very like a musical not. This is because the rods of the paling are all at equal distances one from another, and so the shocks fall quickly one after another at regular intervals upon your ear. Any quick and regular succession of sounds makes a note, even though it may be an ugly one. The squeak of a slate pencil along a slate, and the shriek of a railway whistle are not pleasant, but they are real notes which you could copy on a violin. I have here a simple apparatus which I have had made to show you that rapid and regular shocks produce a natural musical note. This wheel (Fig. 34) is milled at the edge like a shilling, and when I turn it rapidly so that it strikes against the edge of the card fixed behind it, the notches strike in rapid succession, and produce a musical sound. We can also prove by this experiment that the quicker the blows are, the higher the note will be. I pull the string gently at first, and then quicker and quicker, and you will notice that the note grows sharper and sharper, till the movement begins to slacken, when the note goes down again. This is because the more rapidly the air is hit, the shorter are the waves it makes, and short waves give a high note.

© 2026 erasure lab