The House in Good Taste

Elsie De Wolfe · 1913 · 192 pages

The House in Good Taste

Elsie De Wolfe146

Be sure that the woodwork is plain and unpretentious, that the lighting-fixtures are logically placed, and of simple construction. (Is there anything more dreadful than those colored glass domes, with fringes of beads, that landlords so proudly hang over the imaginary dining-table?) Be sure that the plumbing is in good condition, and beware the bedroom on an air shaft--better pay a little more rent and save the doctor's bills. Beware of false mantels, and grotesque grille-work, and imitation stained glass, and grained woodwork. You couldn't be happy in a place that was false to begin with. Having found just the combination of rooms that suggests a real home to you, go slowly about your decorating. It is almost imperative that the woodwork and walls should have the same finish throughout the apartment, unless you wish to find yourself living in a crazy-quilt of unfriendly colors. I have seen four room apartments in which every room had a different wall paper and different woodwork. The "parlor" was papered with poisonous-looking green paper, with imitation mahogany woodwork; the dining-room had walls covered with red burlap and near-oak woodwork; the bedroom was done in pink satin finished paper and bird's-eye maple woodwork, and the kitchen was bilious as to woodwork, with bleak gray walls. Could anything be more mistaken? You can make the most commonplace rooms livable if you will paint all your woodwork cream, or gray, or sage green, and cover your walls with a paper of very much the same tone. Real hard wood trim isn't used in ordinary apartments, so why not do away with the badly-grained imitation and paint it? You can look through thousands of samples of wall papers, and you will finally have to admit that there is nothing better for every day living than a deep cream, a misty gray, a tan or a buff paper.

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