The House in Good Taste

Elsie De Wolfe · 1913 · 192 pages

The House in Good Taste

Elsie De Wolfe74

To return to our staircases: In France the intermural, or spiral, staircase was considered quite splendid enough for all human needs, and in the finest châteaux of the French Renaissance one finds these practical staircases. Possibly in those troublous times the French architects planned for an aristocracy living under the influence of an inherited tradition of treachery and violence, they felt more secure in the isolation and ready command of a small, narrow staircase where one man well nigh single-handed could keep an army at bay. A large wide staircase of easy ascent might have meant many uneasy moments, with plots without and treachery within. Gradually, however, the old feudal entrance gave way to its sub-divisions of guardroom, vestibule, and salon. England was last to capitulate, and in the great Tudor houses still extant one finds the entrance door opening directly into the Hall. Often in these English houses there was a screen of very beautiful carved wood, behind which was the staircase. Inigo Jones introduced the Palladian style into England, and so brought in the many-storied central salon which served as means of access to all the house. The old English halls and staircases designed by Inigo Jones would be perfect for our more elaborate American country houses. The severe beauty of English paneling and the carving of newel-post and spindles are having a just revival. The pendulum swings--and there is nothing new under the sun!

© 2026 erasure lab