The Journal of a Disappointed Man

The Albert Hall Hag While waiting outside the Albert Hall, an extraordinarily weird contrast thrust itself before me--she was the most pathetic piece of human jetsam that ever I saw drifting about in this sea of London faces. Tall, gaunt, cadaverous, the skin of her face drawn tightly over her cheekbones and over a thin, pointed, hook-shaped nose, on her feet brown sandshoes, dressed in a long draggle-tailed skirt, a broken-brimmed straw hat, beneath which some scanty hair was scraped back and tied behind in a knot--this wretched soul of some thirty summers (and what summers!) stood in the road beside the waiting queue and weakly passed the bow across her violin which emitted a slight scraping sound. She could not play a tune and the fingers of her left hand never touched the strings--they merely held the handle. A policeman passed and, with an eye on the queue, muttered audibly, "Not 'arf," but no one laughed. Then she began to rummage in her skirt, holding the violin by the neck in her right hand just as she must hold her brat by the arm when at home. Simultaneously sounds issued from her mouth in a high falsetto key; they were unearthly sounds, the tiny voice of an articulating corpse underneath the coffin lid. For a moment no one realised that she was reciting. For she continued to rummage in her skirt as she squeaked, "Break, break, break, on thy cold gray stones, O sea," etc. The words were scarcely audible tho' she stood but two yards off. But she repeated the verse and I then made out what it was. She seemed ashamed of herself and of her plight, almost without the courage to foist this mockery of violin-playing on us--one would say she was frightened by her own ugliness and her own pathos.