The Ladies' Book of Etiquette, and Manual of Politeness

Florence Hartley · 1860 · 309 pages

The Ladies' Book of Etiquette, and Manual of Politeness

Florence Hartley163

Music has an influence peculiar to itself. It can allay the irritation of the mind; it cements families, and makes a home, which might sometimes be monotonous, a scene of pleasant excitement. Pursued as a recreation, it is gentle, rational, lady-like. Followed as a sole object, it loses its charm, because we perceive it is then over-rated. The young lady who comes modestly forward, when called upon as a performer, would cease to please, were she, for an instant, to assume the air and confidence of a professional musician. There is a certain style and manner--confined now to second-rate performers, for the highest and most esteemed dispense with it--there is an effort and a dash, which disgust in the lady who has bad taste enough to assume them. And, whilst I am on this topic, let me remark that there is a great deal in the choice of music, in the selection of its character, its suitability to your feelings, style, and taste, and this especially with respect to vocal music. There is no doubt that a good Italian style is the best for instruction, and that it produces the most careful and accomplished singers. Suppose a case. Your parents, most fair reader, have paid a high price to some excellent professor, to instruct you--and, with a fair ear, and a sufficient voice, you have been taught some of those elaborate songs which are most popular at the opera. A party is assembled--music is one of the diversions. Forth you step, and, with a just apprehension of the difficulties of your task, select one of those immortal compositions which the most eminent have made their study; you execute it wonderfully, only just falling a little short of all the song should be; only just provoking a comparison, in every mind, with a high standard, present in the memory of every cultivated musician near you. A cold approval, or a good-natured "bravo!" with, believe me, though you do not hear it, a thorough, and, often, expressed conviction that you had better have left the thing alone, follows the effort which has merely proclaimed the fact that, spite of time and money spent upon the cultivation of your voice, you are but a second-rate singer.

© 2026 erasure lab