Vitality Supreme

Many really good teachers differ as to the proper methods of using the voice. Although there may be a reasonable excuse for a difference on some of the minor details of voice culture, yet there are certain fundamental principles upon which there should be a definite agreement, and it is these basic principles which will be presented in the book to which I have just referred. At all events, whether or not you desire to take up vocal culture in a serious way, at least you should make it a point to sing at every opportunity. Break forth into song whenever the slightest excuse appears. If your voice is harsh, unpleasant and reminds your friends of a carpenter filing a saw, do not be discouraged. Every vocal artist had to make a beginning. No matter how bad your efforts may be you can probably recall voices that are still worse. Remember also that all voices improve with training. It is a matter of common agreement among instructors that anyone who possesses a speaking voice can also learn to sing. Anyway, at the worst, your hours of practice can be so arranged as to avoid annoying other people, or you can adopt a method that I have often used. For instance, when you are on a train, or in a busy centre of the city in which there is a combination of noises which will drown your own voice, you can then sing or hum to your heart's content without annoying others. Remember that humming, if you carry it out with sufficient breath to produce real resonance, is practically as good as singing for the training of the voice.