Wonderful Balloon Ascents; Or, The Conquest of the Skies

Fulgence Marion59

multitudes of spectators. A letter from Watt to Dr. Lind, of Windsor, dated from Birmingham, 25th December, 1784, narrates an experiment made the summer preceding with a balloon inflated with hydrogen. The balloon was made of fine paper covered with a varnish of oil and filled two-thirds with hydrogen gas, and one-third common air. To the neck of the balloon was attached a sort of squib two feet long, the fuse of which was ignited when the balloon was inflated. The night was calm and dark, and a great multitude was assembled to witness the ascent, which was accomplished with a success that gave delight to all; for, at the end of six minutes the fuse communicated with the squib, and the explosion was like the sound of thunder. The men who saw it from a distance, but were not present at its ascent, took it for a meteor. “Our intention,” says Watt, “was, if possible, to discover whether the reverberating sound of thunder was due to echoes or to successive explosions. The sound occasioned by the detonation of the hydrogen gas of the balloon in this experiment, does not enable us to form a definite judgment; all that we can do is to refer to those who were near the balloon, and-who affirm that the sound was like that of thunder.” Chapter II. Experiments and Studies--Blanchard at Paris--Guyton de Morveau at Dijon. The most popular name in aerostation during the Revolution and the Consulate in France is, without doubt, that of Blanchard. We have already referred to him in the chapter which treats of experiments made prior to the discovery of Montgolfier, and we now have to speak of his famous ascent from the Champ de Mars, on the 2nd of March 1784, and of the ascents which followed. We have seen that he constructed a sort of flying boat, a machine furnished with oars and rigging, with which he managed to sustain himself some moments in the air at the height of eighty feet. This curious machine was exhibited in 1782 in the gardens of the great hotel of the Rue Taranne. But a little time afterwards Montgolfier’s discoveries quite altered the conditions under which the aerostatic art was to be pursued. It had no sooner become known than it became public property.

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