Zuleika Dobson; Or, An Oxford Love Story

For, whereas all men can learn, the gift of prophecy has died out. A man cannot work up in his breast any real excitement about what possibly won’t happen. He cannot very well help being sentimentally interested in what he knows has happened. On the other hand, he owes a duty to his country. And, if his country be America, he ought to try to feel a vivid respect for the future, and a cold contempt for the past. Also, if he be selected by his country as a specimen of the best moral, physical, and intellectual type that she can produce for the astounding of the effete foreigner, and incidentally for the purpose of raising that foreigner’s tone, he must--mustn’t he?--do his best to astound, to exalt. But then comes in this difficulty. Young men don’t like to astound and exalt their fellows. And Americans, individually, are of all people the most anxious to please. That they talk overmuch is often taken as a sign of self-satisfaction. It is merely a mannerism. Rhetoric is a thing inbred in them. They are quite unconscious of it. It is as natural to them as breathing. And, while they talk on, they really do believe that they are a quick, businesslike people, by whom things are “put through” with an almost brutal abruptness. This notion of theirs is rather confusing to the patient English auditor. Altogether, the American Rhodes Scholars, with their splendid native gift of oratory, and their modest desire to please, and their not less evident feeling that they ought merely to edify, and their constant delight in all that of Oxford their English brethren don’t notice, and their constant fear that they are being corrupted, are a noble, rather than a comfortable, element in the social life of the University. So, at least, they seemed to the Duke.