My Studio Neighbors

W. Hamilton Gibson · 1898 · 136 pages

My Studio Neighbors

W. Hamilton Gibson92

A FEW NATIVE ORCHIDS AND THEIR INSECT SPONSORS In a previous article I discussed the general subject of the fertilization of flowers, briefly outlining the several historical and chronological steps which ultimately led to Darwin's triumphant revelation of the divine plan of "cross-fertilization" as the mystery which had so long been hidden beneath the forms and faces of the flowers. In the same paper I presented many illustrative examples among our common wild flowers possessing marvellous evolved devices, mechanisms, and peculiarities of form by which this necessary cross-fertilization was assured. Prior to Darwin's time the flower was a voice in the wilderness, heard only in faintest whispers, and by the few. But since his day they have bloomed with fresher color and more convincing perfume. Science brought us their message. Demoralizing as it certainly was to humanity's past ideals, philosophic, theologic, and poetic, it bore the spirit of absolute conviction, and must be heard. What a contrast this winged botany of to-day to that of a hundred years ago! The flower now no longer the mere non-committal, structural, botanical specimen. No longer the example of mere arbitrary, independent creation, reverently and solely referred to the orthodox "delight of man." The blossom whose unhappy fate was bemoaned by the poet because, forsooth, it must needs "blush unseen," or "waste its sweetness on the desert air," is found alone in that musty hortus siccus of a blind and deluded past. From the status of mere arbitrary creation, however "beautiful," "curious," "eccentric," hitherto accepted alone on faith--"it is thus because it is created thus: what need to ask the reason why?"--it has become a part of our inspiring heritage, a reasonable, logical, comprehensible result, a manifestation of a beautiful divine scheme, and is thus an ever-present witness and prophet of divine care and supervision.

© 2026 erasure lab