My Studio Neighbors

The flower of to-day! What an inspiration to our reverential study! What a new revelation is borne upon its perfume! Its forms and hues, what invitations to our devotion! This spot upon the petal; this peculiar quality of perfume or odor; this fringe within the throat; this curving stamen; this slender tube! What a catechism to one who knows that each and all represent an affinity to some insect, towards whose vital companionship the flower has been adapting itself through the ages, looking to its own more certain perpetuation! The great Linnaeus would doubtless have claimed to "know" the "orchid," which perhaps he named. Indeed, did he not "know" it to the core of its physical, if not of its physiological, being? But could he have solved the riddle of the orchid's persistent refusal to set a pod in the conservatory? Could he have divined why the orchid blossom continues in bloom for weeks and weeks in this artificial glazed tropic--perhaps weeks longer than its more fortunate fellows left behind in their native haunts--and then only to wither and perish without requital? Know the orchid?--without the faintest idea of the veritable divorce which its kidnapping had involved! Thanks to the new dispensation, we may indeed claim a deeper sympathy with the flower than is implied in a mere recognition of its pretty face. We know that this orchid is but the half of itself, as it were; that its color, its form, however eccentric and incomprehensible, its twisted inverted position on its individual stalk-like ovary, its slender nectary, its carefully concealed pollen--all are anticipations of an insect complement, a long-tongued night-moth perhaps, with whose life its own is mysteriously linked through the sweet bond of perfume and nectar, and in the sole hope of posterity.