The Minds and Manners of Wild Animals: A Book of Personal Observations

The man who flouts a good stage performance by wild animals on the ground that it reveals "no thought," and is only "imitation," is, in my judgment, a very short-sighted student. Maniacs and imbeciles cannot be trained to perform any program fit to be seen. I saw that tried fifty years ago, in "the wild Australian children," who were idiots. The performer must think, and reason. Of the many groups of trained animals that I have seen in performances, my mind goes back first to the one which contained a genuine bear comedian, of the Charlie Chaplin type. It was a Himalayan black bear, with fine side whiskers, and it really seemed to me absolutely certain that the other animals in the group appreciated and enjoyed the fun that comedian made. He pretended to be awkward, and frequently fell off his tub. He was purposely dilatory, and was often the last one to finish. The other animals seemed to be fascinated by his mishaps, and they sat on their tubs and watched him with what looked like genuine amusement. I remember another circle of seated animals who calmly and patiently sat and watched while the trainer labored with a cross and refractory leopard, to overcome its stubbornness, and to make it do its part. Carl Hagenbeck loved to produce mixed groups of dangerous animals,--lions, tigers, leopards, bears and wolves. One trainer whom I knew was assisted in a highly dangerous group by a noble stag-hound who habitually kept close to his master, and was said to be ready to attack instantly any animal that might attack the trainer. I never saw a finer bodyguard than that dog.